| 日本戦後の｢文壇｣諸相とジャーナリズム |
| 批評言説を中心として |
| Zhisong WANG |
| 北京師範大学外国語文学学院日文学部 |
| 王志松 |
Correspondence
Zhisong WANG ,Email: wangzs@bnu.edu.cn
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Published online: 30 June 2015. |
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Copyright ©2015 The Global Institute for Japanese Studies, Korea University |
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This is an open access article distributed under the terms of the Creative Commons Attribution Non-Commercial License ( http://creativecommons.org/licenses/by-nc/4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
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| ABSTRACT |
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Through journalism, the Japanese literary world diversified after
World War II, during which literary magazines and general magazines
such as Shinchō and Gunzo played a central role. Works and
comments published in these magazines not only offered a special
discussion space but also critically impacted the development of
postwar pure literature. Meanwhile, Dōjinshi such as Kyushubungaku
and popular literature such as detective stories, which were interacting
with and contradicting pure literature, formed their own space of
discourse as well. It was this differentiation within the literary world
that has led to the diversity of modern Japanese literature as well as
its richness. |
Keywords:
the literary world, postwar, diversity, journalism
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| キ―ワ―ド:
文壇, 戦後, 多元性, ジャーナリズム |
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