Beyond Monogatari : Haruo Sato and the Sensibility of Taisho Japan by Tatsuya Kono (Kanae-shobo, March 2019) |
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Tsukasa IZUMI |
Associate Professor, Toyohashi University of Technology |
河野龍也『佐藤春夫と大正日本の感性 「物語」を超えて』(鼎書房、2019年3月) |
和泉司 |
豊橋技術科学大学総合教育院准教授 |
Correspondence
Tsukasa IZUMI ,Email: sktmzi0918@gmail.com |
Published online: 30 December 2019. |
Copyright ©2019 The Global Institute for Japanese Studies, Korea University |
This is an open access article distributed under the terms of the Creative Commons Attribution Non-Commercial License ( http://creativecommons.org/licenses/by-nc/4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.
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ABSTRACT |
At the start of the first chapter of the book, author Tatsuya Kono states that Haruo Sato is an author that respected others “who cannot be Japanese” and tried to become such a person. This book portrays Sato’s journeys to Taiwan and China and considers how he depicted Taiwanese and Chinese people, “who cannot be Japanese”. Through his earlier work Sato Haruo Tokuhon, Kono had a basic familiarity with Sato’s works, but in this book, he provides a deeper and more detailed analysis, which brings creative insight into Haruo Sato study |
Keywords:
Haruo Sato, The Japanese, Taiwan, Shamen
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キ―ワ―ド:
佐藤春夫, 日本人, 台湾, 廈門 |
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